Photo from Internet |
Helen was a pioneer of Color Field painting. Where the first generation Expressionists focussed on the expressive power of the brushstroke, the second generation was interested primarily in broad fields of color. She gained fame with her invention of the color-stain technique in which she applied thin washes of paint to unprimed canvas. Jackson Pollock had been the first to pour paint directly on raw canvas laid on the floor, but he had used enamel that rested on the canvas like skin. Helen poured paint thinned with turpentine over the canvas in watery washes that soaked right into the fabric's weave, staining it.
Helen's staining method emphasized the flat surface over illusory depth, and it called attention to the very nature of paint on canvas. It also brought a new, open airiness to the painted surface. Her paintings were almost always visibly improvised from start to finish. Her imagery reflected her impressions of landscape, her meditations on personal experience, and the pleasures of dealing with paint.
Background: Daughter of a judge on the New York State Supreme court, Helen was brought up in the privileged background of a cultured and progressive family.
Training: During high school she studied with a famous Mexican painter, Rufino Tamayo. She earned a B.A. from Bennington College Vermont.
Private life: After college, Helen set up a studio in Manhattan and began to paint full time.
When she was 22, in 1950, she met Clement Greenberg one of the foremost art critics of the time. They had a 5-year relationship. He introduced her to all the first generation of Abstract Expressionist artists and mentored her career. They traveled extensively in Europe to study the art of the Old Masters.
Robert Motherwell Elegy to the Spanish Republic No. 110, 1971 Guggenheim / Internet |
In 1994, when she was 66, Helen married an investment banker who played a role in the Ford administration.
Our photos of Helen's art:
21st Street Studio, 1950 Portland / Jan's photo, 2017 |
Summer Scene Provincetown, 1950 Portland / Jan's photo, 2017 |
Mountains and Sea, 1952 National Gallery / Jan's photo |
Round Trip, 1957 Albright-Knox / Jan's photo |
Jacob’s Ladder, 1957 MOMA / Jan's photo |
Winter Hunt, 1958 LACMA / Jan's photo / 2017 |
Sea Picture with Black, 1959 Wadsworth Atheneum / Jan's photo |
Approach, 1962 Anderson Collection / Jan's photo |
Island Weather II, 1963 Yale Photo by Dan L. Smith, 2013 |
Wizard, 1963 Utah Photo by Dan L. Smith, 2014 |
Painting with Frame, 1964 Seattle / Jan's photo, 2017 |
Blue Fall, 1966 Milwaukee Photo by Dan L. Smith, 2013 |
Draft, 1969 St. Louis / Jan's photo |
Monoscape, 1969 Joslyn / Jan's photo |
Renaissance, 1971 LACMA / Jan's photo, 2017 |
Venus Revealed, 1973 Seattle / Jan's photo, 2017 |
Spaced Out Orbit, 1973 Portland / Jan's photo, 2017 |
Just Before, 1974 Oil on Canvas Smith College Photo by Dan L. Smith, 2006 |
Green Sway, 1975 Santa Barbara / Jan's photo, 2017 |
Midnight Shore, 2002 Kemper / Jan's photo |
Internet Examples:
Nature Abhors a Vacuum, 1973 National Gallery / Internet |
Gray Fireworks, 1982 Internet |